REFRACTION THESIS

REFRACTION

A short film about vengeance, colonization, resilience, and love.

Amidst an ongoing war, a soldier hunts the masked figure who killed her lover.

Refraction was originally conceived and developed by Raphael Calungsod and Wren Mercado over the course of a year. In May of 2022, the film began its adaptation into a visual effects short film, co-directed by Wren Mercado and Lucia Choi. Shot in late November, the film’s post production will last until late March of 2023, to be released to the public for the first time in SVA’s industry screening (TBD).

THE CREATORS

Wren Mercado

Co-Director, Co- Producer, Co-Compositor, Actor, Colorist

Lucia Choi

Co-Director, Co-Producer, Co-Compositor, Sound Designer

Wren (left) and Lucia (right) framing a shot on the set of Refraction

PRE-PRODUCTION

  • The story of Refraction follows Chrys, a nonbinary soldier, who tracks down the Mask Figure, to avenge the death of their lover, Dante. Chrys finds the wounded and weakened Masked Figure in a field deep in the forest, triggering the memory of Dante’s death at the hands of the Masked Figure and the Imperialist army. In their sheer anger, Chrys is able fight and overpower their opponent. Upon exacting their revenge, it is revealed that their present day opponent is actually Dante, regenerated and enslaved by the Imperialist power to do thier bidding. The couple reunites with one another in grief as Dante dies in Chrys’s arms.

  • Refraction depicts the senseless costs of war. With the Masked Figure representing the imperialists, pillaging towns and killing the innocent, Dante and Chrys represent the colonized, forced to either be integrated into the invading power or to rise up and fight against it. The physical and emotional damage of the colonizers are irreparable and long lasting, with Chrys now having to live a changed person that has lost everything. In the same vein, however, Chrys represents the resilience of the victims to rebuild and flourish, returning to normalcy stronger and able to fight back.

    The film also highlights LGBTQ+ and Asian representation. Where these two minority groups are often excluded in the industry, this film puts them in the forefront, both on screen and behind the scenes. The story also features close ties with Filipino culture, from wardrobe and costuming to the story and music.

PRODUCTION

Filming

The preparation and shooting for Refraction was turbulent, but a valuable learning experience.

In addition to planning out the story with script and animatic revisions, preparation also involved casting, scouting, applying for permits, and making props and costumes. The creators prepared as much as possible. From having individual meetings with crew members, to rehearsal sessions with actors, to shooting the entire film on our phones to confirm the validity of shots, there was an honest attempt to ensure that all possibilities of anything going wrong would be covered.

Of course on set, anything that can go wrong will. Yet the two creators learned how to think quick on their feet and be flexible. Initially, the plan was to have a single shoot, spanning over two days, with two seperate actors, and a variety of assistance. The reality was a several shoots over the course of weeks, with Wren coming up to the plate to act, and a reduction in our crew. Learned lessons include balancing personalities of everyone on set is extremely important and that trust should be put in the right people to do their jobs so that the process can run smoothly.

Location

Refraction was shot in the beautiful Clove Lakes Park in Staten Island, NY. Taking advantage of the natural scenery and wildlife, the film features a wide field, a bridge overlooking a lake, as well as several forests from the part.

Crew

Of course, none of this would have been possible if not for Refraction‘s small but mighty crew. Special thanks to Director of Photography Yiorgios Vazouras, Actor Fan Chen, Assistant Producer Sebrina Dement Semer, Production Assistants Raphael Calungsod, Marianne Montarde, Pavithraa Suhaakar, On Set Advisor Gigi Dement, and the Calungsod family for allowing the use of their home as a Greenroom.

POST-PRODUCTION

Visual Effects and Beyond

Much of the visual effects in Refraction is a tool to complete and enhance the story rather than being the sole focus. In a futurisic setting similar but not exactly in our world, these effects maintain a suspension of disbelief while bringing a sense of Magic Realism to the forefront. Diving head on into Nuke, Maya, and Houdini, both creators seek to bring this film to its fullest potential, all the while honing their old skills and facing new challenges.

Furthermore, the editing and color, and sound design of the film will all be completed by Wren and Lucia respectivefully. Having full creative control of these aspects, along with the visuals will enable them to full creative control over the atmosphere and vision of this film.